Even though I am a writer of stories, I’m fascinated by the idea of thinking like a physicist. The way a physicist tackles a problem seems remarkably like the way an original story is constructed; first there’s a question, then an exploratory phase. Eventually, the problem is stripped down to the purest essence until a pattern emerges. You experiment again and again until you have enough data that you can draw a conclusion, make a statement, or derive a premise. I’ll explore this physics/storytelling connection later when I have more time. In the meantime, take a look at this: “How to Study Physics” by Seville Chapman, copyrighted in 1949, is a fascinating primer on how to be a scientist. It is broad-minded, friendly, with a tight style. Check it:
It is astonishing how few students actually can do arithmetic properly, i.e., accurately with moderate speed. You should be able to multiply 8,642 × 9,753 and get 84,285,426; without making a mistake; and you should be able to do it within two minutes. You are not good at arithmetic unless you can do it in one minute. (Some modern electronic calculating machines can do it in less than a thousandth of a second!) For most students, three to six honest hours of mathematical review represents an adequate brush-up; some students may need a dozen or more hours of practice, especially in arithmetic, high school algebra, geometry, and perhaps trigonometry. It is a delusion to blame physics for being difficult when you don’t know your math.
Lines from Robert Frost poems show up in the most benign places: middle school bulletin boards, motivational posters, bed and breakfast dining rooms. But if you get past the famous lines, you suddenly see the darkness of Robert Frost. The misery. The backbreaking work of existence. Also, you see something more: He hated people.
It was only a week ago that we submitted the development grant for our first feature film When We Fall. When I sent it off, it was a cause for celebration. Because, you know, if you’re not celebrating, I don’t know what you’re doing with your life.
Now, I am checking my email a little more eagerly. I’m not sure how long it will take for the folks at Saul Zaentz to make a choice. But since there is no news and I am neither elated nor disappointed, now is as good a time as any to say”Thank you”
I’m psyched to be working with Angel Kristi Williams on When We Fall. I first learned of Angel’s work from Mark Alice Durant and Bea Bufrahi. I’d urge you to take a look at her reel. If you sense depth and integrity to her work, believe me, it’s coming from the director. Here’s a clip from a conversation Mark had with Angel on Saint Lucy.
MAD: Was it a political decision that you chose to make narrative films, as opposed to experimental films, the theater as the site of your work instead of the gallery?
I was so excited to see this story in the Baltimore Sun about how the Baltimore School for the Arts is starting a film program. Though I knew that the article (and the generous gift from the Josephs) was coming, seeing the story in print was somewhat cathartic.
My friend and colleague, Bea Bufrahi, had been developing this program for years. Long before I worked at the Baltimore School for the Arts, Bea was running video classes where stage production students made short, obscure films. It’s hard to exaggerate how much effort she put into these films. Bea is nothing if not dedicated. Few people came to her film showcases. She didn’t always get paid. But still she persisted.
It’s not really my style to choose books in this way (I prefer a more associative path). Still, for those who can pull it off, I applaud you.
There are two ways to do this challenge.
1) Easy Mode: For every book you read, check off each item that applies. If you find a paperback Science Fiction Dystopia written by a woman pre-1950 featuring an LGBT character originally published in a foreign language, go ahead and mark all those off. This a great mode for slow readers, ensuring you’ll still be well rounded in the end.
Some say the world will end in fire,Some say in ice.From what I’ve tasted of desireI hold with those who favor fire.But if it had to perish twice,I think I know enough of hateTo say that for destruction iceIs also greatAnd would suffice.
I am very lucky to have had the good people at the Saul Zaentz Incubator pair me with two extraordinary mentors. The first is Josh Penn, producer of the film Beasts of the Southern Wild. The second mentor is Stacie Passon, writer and director of Concussion.
For most of my career, mentorship has meant studying written works. For screenwriting, William Goldman, Robert Bolt, David Mamet. For literature, Jorge Luis Borges, W.G. Sebald, Virginia Woolf and so many more. In poetry, Auden, Browning.
One of the problems with telling other people’s stories is that you bear the responsibility for the telling. Technology invites each of us to tell our story in many mediums. When is it stealing? When is it exploitation? When is it empathy? When is it giving the gift of meaning–the only gift writers have to give? Language, that puckish knave, can sometimes express meaning well outside of the writer’s good intentions. That is why to write is both brave and foolish. For me, the act of empathizing with another human, of becoming them in my imagination, of wresting meaning from brash reality, that is the payoff.
Still, times change. We must listen to others and take heed. Here: http://nyti.ms/1XRvsz8
After today, I think it will be very important to focus on kindness to our fellow man. The world is changing. People are nervous. There is so much uncertainty. (The exact amount is uncertain.) But consider this: 3.5 million people work in the transportation industry. Right now, in every city of the world, people are testing vehicles to fully automate those 3.5 million jobs. Can you imagine how the election season will feel then? The anger? The outrage? So whether you are a Trump supporter or a Clinton supporter, or if you think the whole game is rigged and no one ever gets a voice, remember the words of the poet:
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